Hollywood on the run.
Hollywood is worried, although they have not yet had a full-blown panic attack. Their bedrock market – the one they have always taken for granted – is eroding beneath their feet. Generation X, is growing up and their tastes have changed. The once captive audience that grew up on the “Star Wars” movies that their parents took them to is finding that their own children are not nearly as impressed as the Gen-X parents once were with special effects.
But that is not the only place we are seeing changes.
“If I had some time in the afternoon, and it was a choice between watching a movie or playing a game, I’d rather play a game,” said Marlon Castro, 35, of Foster City.
Already, the gate is down not only at theaters, but also at Blockbuster Video – once the powerhouse of video has taken yet another hit as reported on PBS, Marketplace. The reports says,
Blockbuster is expected to report a third quarter loss today. Efforts to adjust its brick-and-mortar business model to compete with on-line DVD distribution don’t appear to be working. Jeff Tyler reports
In short, the market in going through a shakeout – one which Laura and I have watched closely.
It is no secret that I take much of what Clayton Christensen says, to heart. Christensen is a professor at the Harvard Business School. His specialty is the evolution of technology.
I have a few observations of my own which square with Christensen’s observations.
New technologies are often force-fit to solve existing problems – and that makes sense. We have today’s problems that need to be solved. Disruptive technologies are those that unseat the market leader, the dominant player, the king of the hill. In film, Polaroid, the instant picture people, did not survive. Wedded to emulsion technology, Polaroid did not take the grasp the realities of the emerging videotape market. Polaroid plunged millions into its Polavision. The product is now a curio.
What seems to be the case is that new technology creates new markets and disrupts old channels of distribution. Revenue and distribution models change – as do tastes and forms and even cost structures. Can emulsion film compete with digital? The business model Polaroid had was to provide cameras at cost and sell the film to make the revenue. The digital camera turned that model on its head.
Both radio and television evolved over time into what they are today, but first they experimented with older forms – such as vaudeville – before settling into their current content.
The silent revolution hasn’t been so silent – computer generated graphics, but the interesting thing is that film makers are not the only ones who have benefited. To be sure, the barriers to entry for a film company are substantial – high-cost equipment, pricey actors, and technical issues having to do with real-world filming.
More and more, blue screens and animation have crept into the movie process. And the directors are fascinated with their toys. As an aficionado, I enjoy listening to the director’s commentary – sometimes good, sometimes really bad – and the interesting thing I am hearing is how they used some special effects gimmick to accomplish something. It wasn’t a commentary about the story; the commentary was about how they managed to make some effect happen. I suppose there is nothing wrong with that, but it does suggest that the movie making mind-set is currently driven by technology.
And yet, the “Revenge of the Sith” has not ignited the popular culture the way very first “Star Wars” movie did. Re-releasing the original one, with current special effects technology inserted into it, had little tangible impact.
The trend has been for films to be turned into video games, yet there is a countertrend where video games, such as “Tomb Raider,” are turned into movies.
I suppose this all reminds me of the first Apple computers – when people collected fonts, just like some people collect baseball trading cards. Memos appeared with a variety of font. (Guilty, your Honor). But soon people got back to the content and were not quite as mesmerized at the fonts as they once had been.
The basic difference between video game and movies is the level of involvement in the outcome.
This is the dark horse, yet always the front runner. Technologies come and go – but involving the reader-viewer in the story and giving the person a say in the outcome, is a powerful thing which sall too often gets forgotten.
This is where interactive will change the landscape and the time is much closer than people think.