Taka Yamabuki is the main character of Katherine M. Lawrence’s books about a female samurai, who is documented in history, who lived in 12th century Japan.

Japanese Ox Cart

Ox Cart of Japan in the Heian Period

First Class Travel in the Days of Yamabuki

Ox Cart of Japan
The kinds of carts the nobility would travel in.

The ox can hardly be seen, but it is at the front. The royal personage(s) would sit inside on cushions as they were taken from place to place at a stately pace.

Japanese bell

Telling time in Heian Japan

Is Japan located on another planet?

This is what a PhD in physics asked me.

“Why do you ask that?”

“Because in your books about Yamabuki, there are only 12 hours in a day.”

Japan during the Heian period—794–1185 C.E., when the Tales of Yamabuki as well as The Tale of Genji are set—had no mechanical clocks. Nevertheless, to run society, people needed to know the time of day, the season, the month, and the day.

Days consisted of 12 hours based on the 12 zodiac animals, each Heian hour being equal to about two modern hours. In a moment I will get to why I deliberately used the word “about.”

Days were divided into six “hours” of daylight and six “hours” of darkness. Instead of midnight, the day started at daybreak. Only in the Meiji times, in 1867, did the day change at midnight.

What is fascinating is that there were always six “hours” of daylight and six “hours” of night irrespective of the time of year. In modern times, with mechanical and even atomic clocks, we accept that more daylight falls in summer than in winter. We might turn back or move our clocks forward twice a year. In Japan it was done 24 times a year—approximately every 14 to 16 days—so that the first light would always come during the first “hour” of the day, which was known as the Hour of the Rabbit, sometimes called the Hour of the Hare. Dusk would come at the Hour of the Bird, sometimes called the Hour of the Rooster.

If we were to measure the actual length of winter days using a modern timepiece, the Hour of the Rabbit would be shorter than two hours because the relatively shorter total daylight in winter would still be distributed into six parts.

The six nighttime hours in winter would absorb the extra darkness and be proportionately longer than the nominal two hours of our 24-hour clock.

All this kept the astrologers and priests busy, because every 14 to 16 days, the clocks had to be adjusted. “More on that in a minute,” which by the way, is an idiom the Japanese of the era would not have used, because our modern concept of sixty minutes to an hour and sixty seconds to a minute is highly tied to mechanical clocks. The Japanese were no strangers to mathematics and dividing up circles, including the calculus which was independently discovered by the famous mathematician Seki Kōwa, 関 孝和, 1642-1708 C.E., and likely knew enough trig to divide circles into minutes, but they did not parse hours that way–not with the water clocks and hour glasses they used.

Japanese bell

The hours were announced by bells of Japanese design which were usually struck by swing a wooden beam again the side of the bell. Unlike Western bells with a clapper, the wooden beam produces a sharp reverb.

The Japanese did not number each hour, one thru 12. Rather, they rang the six daylight hours four thru nine, and the six nighttime hours, also four thru nine. We’ll get to the chart in a minute, but why start at four? Some say it was that one thru three bell-strikes were used for various calls to prayers. Others say the three bells informed people that they should get ready start counting—kind of like the “tune” Londoners hear just before the tolling of the hours when Big Ben is operating.

chinese zodiac hours
The modern hours ring the graphic, one thru twenty-four. Daybreak in Heian Japan is at six bells, Hour of the Rabbit, and dusk is also six bells, Hour of the Bird.

Interestingly, the Japanese “witching hour” is not at midnight, but at nominally 2 AM (1 AM–3 AM) and is known as the Hour of the Ox. Many Westerners will agree that this corresponds to the biorhythms of many non-Japanese.

To further embellish this, there were five vigils (watches) starting at the Hour of the Dog (five bells) and ending at the Hour of the Tiger (seven bells). The longest tolling of bells in the night was nine bells at the Hour of the Rat, sometimes called the Hour of the Mouse—maybe when “not a creature was stirring.”

That more or less takes care of the day, but the day has to fit into the calendar.

In the Heian period (and until 1867), each month began on the dark moon, also know as the new moon. The full moon would come on the 15th day and the month would end approximately on the 28th, sometimes the 29th, and even the 30th day of the month.

Japanese did not have the western concept of the seven-day week, though they certainly could count to seven. What they had instead was the concept of the solar stem, of which there were 24.

Telling time in Heian Japan Yamabuki
The graphic above gives the Chinese names for the solar stems. The Japanese did not know of corn in the Heian period. They are famous for rice.

In modern times we are used to a 360-degree circle, which seems quite “natural” to us. Each of the 24 stems would be 15-degrees.

Since the orbit of the Earth, as Kepler uncovered, is not a perfect circle but an ellipse, there are 24 periods when the Earth moves 15 degrees. In the modern calendar, there are 26 two-week periods. This means that a solar stem won’t be exactly 14 days but will be longer by a day or two to stay in sync with the sun. And it is at the beginning of each stem that the daylight and nighttime hours are changed in length to keep it at six daylight and six nighttime hours.

The first solar stem of the Japanese year starts on the first day of the year: Start of Spring, which, unlike the Western calendar, is not  in March. The Last Solar Stem (the 24th) ends on the last day of Major Cold. The beginning of the year in Japan, as measured by the Western calendar, would start somewhere between mid-January and mid-February, the variation resulting from aligning the solar stems with the lunar months.

Western Zodiac Signs
Above the graphic more or less uses the Japanese names for the stems in a circular representation instead of the more faithful elliptical one.

Thus, we know as Yamabuki and Tomoe ride up to the Shayō Tōge, the Sunset Pass, at Sunset on May 11, 1172, in the middle of a freak snowstorm, the author can say with some assurance that it happened at the Hour of the Bird on the 13th day of the 7th solar stem, two days past the full moon of the Flower Month.

If this post gets some interest, I will continue and explain how the author calculates that it is not only the Hour of the Bird, but is also the Day of the Earth Dragon, in the Month of the Fire Tiger, in the Year of the Water Dragon, all of which combine to let us know how well the day is aspected, as well as how it is that some years end up with a 13th month.


The Ruins of the Taka Compound Yamabuki

The Ruins of the Taka Compound

Many have searched for the ruins of the Taka compound that existed 850 years ago in ancient O-Utsumi prefecture–the alleged site is shown in this photo. But there is no trace of the clan. Not even the footings of the giant estate houses that overlook Great Bay. No trace of the gardens and orchards where …

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Cover for Cold Heart: Yamabuki vs. the Shinobi Priest, by Katherine M. Lawrence

Cold Heart Release

Cold Heart is with my editor, Laura Lis Scott, for final revisions. It is my longest Yamabuki book to date—longer than the first three combined—over 80,000 words long. The first chapter is succinct and sets the tone and premise: the supernatural—which Yamabuki of course scoffs at—will play a central role in this story, and as always, the …

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Music to Write By. Samurai Stories Yamabuki

Music to Write By. Samurai Stories

The soundtrack for Shogun Assassin is where my writing music started. Here Lone Wolf defeats three ninja women who are disguised as dancer acrobats in the circus de soleil of their day.

The soundtrack for Shogun Assassin is where my writing music started. Here Lone Wolf defeats three ninja women who are disguised as dancer acrobats in the circus de soleil of their day.

Some writers like to immerse themselves in the place and setting of the action. We put on our music and takes us to another world. Music helps the author visualize place, mood and setting. And it is not just in samurai novels.

Some of my readers have asked me to name a few of the soundtracks I use, so here goes:

Music to Write By. Samurai Stories Yamabuki

“Joan Wilder” the author in film Romancing the Stone listens to music from How the West Was Won as she writes about Angelina.


Hope this is a fun post about some of what keeps writers going apart from lots of strong coffee.

zatoichi dance scene

Dancing in Samurai Film

Painting the life of the common people in a world where the major daily chore was finding enough food, can lead readers to think they are indeed being presented with a bleak world. And yet, the Japanese culture has always been one of songs and dance and laughter. Some genre readers are excited by the swordplay, but wonder why …

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Woman samurai archer riding and shooting

Archery and War

Hazard Sensei used to say that archery was the prefered method of fighting in old Japan. Swords were too personal. Too in close. Too involved with the opponent. Archery was “better.” In fact, the old Japanese root word for “war” is said to come from something approximate to “archery exchange.” As I draw to a …

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