<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>shogun on KateLore</title>
    <link>https://katelore.com/tags/shogun/</link>
    <description>Recent content in shogun on KateLore</description>
    <image>
      <url>https://katelore.com/taka-mon.png</url>
      <link>https://katelore.com/taka-mon.png</link>
    </image>
    <generator>Hugo -- gohugo.io</generator>
    <language>en-us</language>
    <lastBuildDate>Wed, 15 Jan 2014 00:00:00 +0000</lastBuildDate><atom:link href="https://katelore.com/tags/shogun/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>Dealing with the Fantastical in a Novel</title>
      <link>https://katelore.com/blog/dealing-with-the-fantastical-in-a-novel/</link>
      <pubDate>Wed, 15 Jan 2014 00:00:00 +0000</pubDate>
      
      <guid>https://katelore.com/blog/dealing-with-the-fantastical-in-a-novel/</guid>
      <description>Historic fiction is a slippery slope. I am currently writing about Japan in the historic period in and around the Gempei War—a war of historic record. My main character is Yamabuki, a female warrior, a person who is recorded in some annals, but whose life is almost unknown. How much can a writer make up while entertaining her audience, while staying more or less faithful to the period?
Some writers will go completely around this problem.</description>
    </item>
    
  </channel>
</rss>
